Beautifully Dead - Chapter 40
An Immortal Affections serialized novel
May 5, 2025
Fredericksburg, Virginia
The call came at 5:17. Eli was still at his desk, the journal still open, his own handwriting staring at him across centuries.
âEleanor.â The name he did not use in front of anyone else. âItâs early, even for you.â
âShe texted me. Fifteen minutes ago. From her personal number, not through the Foundation channels.â
Eli sat forward. âWhat did she say?â
âShe asked how long Iâve known you. And whether I actually trust you.â She paused before she addressed him by the name she first met him as. âJames, if sheâs texting me at 5 oâclock in the morning, that means she was up all night thinking about it.â
Her utterance of his name sounded more like chastisement than affection.
âHow do you know that she has been up all night?â He sat back in his chair.
âBecause sheâs still alive. Sheâs not like us, James. She needs sleep.â He could hear Eleanor take a deep breath and exhaleâsomething she did to accentuate her pointânot because she had to. âI know it has been hundreds of years since youâve needed sleep, but you have to try to remember what it was like. I donât know what you did, or said, but she still doesnât trust you and itâs eating at her.â
âIâm not sureââ She cut him off.
âSheâs running on instinct while struggling to sleepâand she has an immune system thatâs rewriting her circadian architecture.â Another pause. âI know you know what that phase feels like. So do I.â
He did. The weeks when the body abandons its old rhythms and the mind followsâsharpening in the dark hours, growing suspicious of everything it trusted in the light. He had watched it happen dozens of times. He had lived it once. Eleanor had lived it once. And now it was Ameliaâs turn, alone in a hotel room, with his notes from another era three feet from her head.
âExactly,â he said. âThat is what I was going to point out before you cut me off. Sheâs at a state where her lack of sleep doesnât mean sheâs stressed out over anything.â
âYes, butââ This time Eli cut her off.
âSheâs been reading Jamesâs notesâall of them.â he stressed. âThatâs what she told me yesterday. She said he wasnât discovering Eleanorâs symptoms, he was confirming them.â
Silence on the line. He could hear the faint tick of a clock in whatever room she occupied in Geneva.
âSheâs right,â Eleanor said.
âI know sheâs right.â
âThen you know what comes next.â
He sighed, âItâs not the notes. Itâs me sheâs reading.â
Silence on Eleanorâs end.
âShe told me about a man she worked with. Senior faculty. He took her research, published it as his own, completely cut her off.â He paused. âShe said she finds it hard to trust people now. Men.â
âAnd she sees it in you.â
âShe probably does.â He set the journal down. âThe Foundationâs connections, the laboratory staffed, the access I had prepared before she ever arrived. Very high handed. Very controlling, as you would say.â
âJust you being you.â
He didnât answer.
âJames.â Eleanor said his name the way she used it when she wanted him to hear himself.
He heard Eleanor shift. The slight creak of leather, the settling of weight. She had always thought with her body, adjusting position when her mind changed direction.
âYouâre doing what you always do,â she said. âYou know that.â
He didnât respond.
âFinding someone brilliant. Making yourself indispensable. Deciding whatâs best for them before theyâve had the chance to decide for themselves.â Her voice was not angryâyet he could hear how displeased she was with him. âIâm telling you, it wonât work the same way twice.â
The words landed where she meant them to. He let them.
âHer symptoms are progressing,â he said. âThe adaptation rate doesnât match the typical exposure timeline.â
âI know. Iâve been reviewing Thanakitâs preliminary data. Her metabolic markers areâunusual.â
âI have seen. Unusual is an understatement.â
âFine. Unprecedented. In living subjects, at least.â The professional tone returned, but the edge beneath it stayed. âI need more samples. Bloodwork at forty-eight-hour intervals minimum. Tissue cultures if we can get them. And I need her to understand what the monitoring is forânot some vague wellness check, actual pathogen tracking. If she starts refusing access because she doesnât trust youââ
âShe wonât refuse you.â
âShe might refuse what comes through you. Everything comes through you right now. If she doesnât trust you, then the whole channel closes.â She takes a breath. âAnd then itâs not just you who loses outâI lose the most significant case Iâve seen since my own, and she loses the only thing that might keep her alive.â
âWhat do you want me to do?â he asked. He knew exactly what she wanted him to do, but he wanted to hear her say it.
âGive her something real. Sheâll see through anything elseâshe is a smart woman. If you try to manage her with empty half-truths, sheâll know.â Eleanorâs voice dropped. âYou have to actually give something up. And Eli, one more thing.â
âYes?â
âWhen you talk with her about theâher progression, her symptoms, the anomalies in her dataâyou cannot sound the way you used to.â
He shifted in his seat. âMeaning?â
âTypically you sound like a man describing a subject, not a person. I need you to use her name, like youâve done in this conversation. Talk with her, not to her. Did you realize, you havenât referred to her as âthe subjectâ once this whole time.â
âI donâtââ
âYou do. Please, James, think before you speak. Be careful what you say. For her sakeâand yours.â
âI understand,â understanding crept into his voice.
âGood luck.â
The line went silent. He hung up and set the phone beside one of his journals.
Give Amelia something real.
He thought about his brother.
Not the version he would tell Amelia. The real one. Dougal was the one who had saved him over 700 years ago from the people of his village before they had a chance to burn him alive. Eli was unable to return the favor. Dougal died like so many others during the Great Pestilence.
That grief was what heâd use.
Eli sat back down and began to construct his story.
This time he was going to tell her the truth. Just not all of it, and not in its original shape.
His brother was real, his loss, the grief, was real. That would be enough to carry the rest.
A small lie, the pain of his brotherâs passing as the catalyst for his own behavior.
He wrote down the beats and rehearsed them until they sounded real. Because Ameliaâs case could be the key to all he had pursued since he lost Catriona, he needed her to believe him.
Still, some part of him wanted to skip the performance entirely. Something in him wanted to tell Amelia the truth about everything. The whole unedited truth, offered without calculation, without knowing what she would do with it.
He couldnât. wouldnât. But the want was there.
Once he felt his performance would pass Ameliaâs scrutiny, he picked up his phone and sent her a text.
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to be continuedâŚ
Š 2025-26 E.M. di V. - writing as Morgan A. Drake & Joe Gillis. All rights reserved.



